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нефтегазовая промышленность
насосное помещение
насосное отделение
насосная станция
['tʃɑ:nsmju:zik]
музыка
алеаторика
строительное дело
передвижная (катучая) опалубка
['mju:zik]
существительное
общая лексика
музыка
музыкальное произведение
ноты
пение птиц
шелест листвы
журчание ручейка и т. п.
музыкальные произведения
военное дело
оркестр
диалектизм
музыкальный инструмент
разговорное выражение
живость
возбуждённость
развлечение
устаревшее выражение
оркестр, хор
House is a music genre characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the early/mid 1980s, as DJs began altering disco songs to give them a more mechanical beat.
House was pioneered by African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other cities such as London, then New York City and became a worldwide phenomenon.
House has a large effect on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Houston, Janet Jackson, Madonna, Pet Shop Boys, and Kylie Minogue, and also produced many mainstream hits such as "Pump Up the Jam" by Technotronic, "French Kiss" by Lil Louis, "Show Me Love" by Robin S., and "Push the Feeling On" by the Nightcrawlers. Many house DJs also did and continue to do remixes for pop artists. House music has remained popular on radio and in clubs while retaining a foothold on the underground scenes across the globe.